Farrow & Ball color explorer
A tool to explore the Farrow & Ball color collection. All color names, descriptions, RGB values, color schemes are sourced from the Farrow & Ball website.
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The perfect blank canvas
“This soft white is inspired by the chicory coffee popular in New Orleans, often served with steamed milk.”
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Blue Maize
No. CB11 (Carte Blanche)
A sophisticated, generous blue
“This deep blue is inspired by the unique hue of corn popular in Mexico and the Southern States.”
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A chic brown
“A rich brown inspired by the warming, versatile spice used in dishes around the world.”
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A pale but intense yellow
“A muddy yellow reminiscent of the sweet and sour fruit found across Central America and the Southern States.”
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A warm, rich black
“This deep black is that of the classic sweet created using the root of the plant from which it takes its name.”
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A lively, bright blue
“A vibrant, lively blue that takes its name from the popular Louisiana catch.”
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Pea Flower Tea
No. CB12 (Carte Blanche)
A vivid, true blue
“A vivid blue, this shade is named after the brightly coloured drink created by infusing petals from butterfly pea flowers.”
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Raw Tomatillo
No. CB6 (Carte Blanche)
A vibrant, optimistic green
“This joyful and verdant green is inspired by the fried green tomatoes made by a beloved grandmother.”
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Roasted Macadamia
No. CB2 (Carte Blanche)
A warm stony neutral
“A favourite among The Squirrels, this soft neutral is named after the nut of a similar shade.”
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A lively red
“A rich, brilliant red evocative of the classic Spanish sauce, which also doubles as a favourite makeup shade.”
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A silvery, muted blue
“This silver blue takes its name from a favourite afternoon snack of a much loved grandfather.”
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A sweet, cheerful pink
“A cheerful pink that takes its name from a sweeter member of the allium family widely used in Cajun cuisine.”
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A warm and earthy neutral
“A versatile, earthy neutral, Dauphin takes its inspiration from the ‘drabs’ beloved by decorators of the 19th century. Alongside other warm neutrals, such as London Stone and Salon Drab, it creates an elegant and restful scheme.”
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A warm mid-brown
“Rich, earthy and grounding, the upfront warm tones of Wainscot help to create intimate spaces for rest, entertaining, and study alike. The warmest of the Farrow & Ball browns, it sits well with all our Red Based Neutrals.”
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A traditional green-brown
“A modern colour with a traditional character. Neither brown nor green, the mysterious tone of Pantalon changes in different light conditions, making it a particularly captivating shade for exterior paintwork.”
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Salon Drab
No. 290 (Archive)
A deep chocolate brown
“This warm drab has a two-part name combining ‘salon’, the small outer room off a drawing room, with a term that describes a colour as lacking in brightness. The richness of this chocolate brown is instantly appealing, effortlessly creating a modern look or classic 19th century feel. Salon Drab works as a dark accompaniment to both the Red Based and Contemporary Neutrals.”
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A dark and rich brown
“Mahogany is an invitingly rich brown which takes its name from the dark red wood used by master cabinet makers like Thomas Chippendale. Packed with warm tones that give a unique depth of colour, the almost burnt brown pigments create a welcoming retreat which envelopes the room in an earthy darkness. Often used with Dead Salmon to enhance historic art and antique furniture.”
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A sombre brown
“In colourists' terms, 'drab' simply means a colour lacking in brightness, and this typical 18th-century colour encapsulates it perfectly. Particularly good on woodwork, both interior and exterior, when teamed with Off-White on walls.”
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A red-based brown
“Cola's red undertones set it apart from the cooler, darker shades of Mahogany and Tanner's Brown. Its underlying warmth makes it perfect for those looking to embrace and enhance the intimacy of a small space.”
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Deep Reddish Brown
No. W101 (Archive, Colour by Nature)
A deep, earthy brown
“Deep, warm and welcoming, this shade was once popular in country houses, where it was often used to highlight the woodwork of back stairs. In a contemporary setting, it still makes a wonderful colour for walls, doors and trim alike, adding richness and drama to any space.”
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Broccoli Brown
No. W108 (Archive, Colour by Nature)
A quiet dark stone
“Broccoli Brown is a quiet dark stone colour that sits effortlessly alongside natural materials such as weathered wood or flagstone floors. Its muted quality makes it ideally suited to studies, where its reserved tone serves as the ideal backdrop, especially when taken over the ceiling as well as the walls.”
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Imperial Purple
No. W40 (Archive, Colour by Nature)
A rich deep purple
“Deep Imperial Purple transforms dining rooms and other intimate spaces, creating a luxurious look and enveloping feel. Used in smaller quantities, such as inside a bookcase, it can add a rich pocket of colour to even the most neutral of rooms – try it with soft Snow White and Ash Grey for a relaxed scheme with a playful touch.”
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Titmouse Blue
No. W24 (Archive, Colour by Nature)
A deep, intense blue
“This intensely pigmented blue brings a smart look and luxurious atmosphere to any room, especially those designed for entertaining. Particularly eye-catching when combined with Ash Grey woodwork, Titmouse Blue creates inviting spaces that you can’t wait to escape to at the end of the day.”
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Hound Lemon
No. 2 (Archive)
A cool lemon yellow
“Originally chosen by colourist John Fowler, Hound Lemon is a mysterious name for this delicate shade. With cooler undertones than many of our yellows, it feels especially fresh used in a garden-facing room, where it mimics the tones of nature outside.”
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Octagon Yellow
No. 7 (Archive)
A true, bright yellow
“Bright yet soft, Octagon Yellow is a true golden yellow shade that brings the feeling of morning sunlight to any space. Similar in tone to Sudbury Yellow, it looks especially at home in a light-filled kitchen.”
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A dark cream
“Biscuit, with its distinct green base, sits perfectly with the lighter String and Matchstick. It originated as a Bath Stone colour, often seen on the exteriors of houses in the West Country. Now, it's just as likely to appear in interiors as a less warm version of Cat's Paw.”
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Warm and rich with a hint of red
“This rich caramel-hued neutral is very adept at creating spaces that invite and envelop. Pairing it with neutrals that share its red undertone, such as Pointing or Joa’s White, creates an overall feeling of warmth and cohesion.”
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A darker version of Sand
“Like the lighter Sand, this rich caramel-hued neutral is very adept at creating spaces that invite and envelop. Pairing it with neutrals that share its red undertone, such as Joa’s White, creates an overall feeling of warmth and cohesion.”
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A captivating mid-yellow
“Taking our inspiration from colourist John Fowler’s ‘straw left out in the rain’, we created Straw as a brighter alternative that still pays homage to the original. More so than the duskier, more delicate Hay, Straw is well-suited to spaces that receive little natural light, adding warmth and depth for an inherently sunny feel.”
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An earth-based yellow
“A little less intense than India Yellow and slightly cooler than Sand, Cane is a wonderfully earthy yellow that has a surprising brightness to it when artificially lit.”
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Print Room Yellow
No. 69 (Archive)
A soft golden yellow
“Less of a true, sunny yellow than Babouche or Yellow Ground, Print Room Yellow creates a feeling of instant warmth, especially in rooms with little natural light. While it has a beautiful rawness under direct light, the inclusion of soft ochre pigments ensures that it never feels overpowering.”
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Pale Hound
No. 71 (Archive)
Delicately aged yellow
“This pale and aged yellow is a lighter version of an archived Farrow & Ball colour, Hound Lemon. Named by the great colourist John Fowler, the story behind its namesake remains a mystery! Pale Hound sits particularly well in sunny spaces where it reads as a light and delicate yellow, and in garden rooms where its underlying green pigment connects seamlessly with the exterior.”
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Gervase Yellow
No. 72 (Archive)
A cheerful pale yellow
“This suitably sunny yellow is named in memory of Gervase Jackson-Stops, the late Architectural Adviser. Many of the historic places in his care have inspired our palette in the past, and continue to do so today.”
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Ciara Yellow
No. 73 (Archive)
A sunny yellow
“This cheerful yellow was first created for a home in County Cork, so it seemed only fitting for it to share a beloved Irish name. With a slightly more aged look than Yellow Ground, Ciara Yellow feels gently lived-in, perfect for traditional living spaces.”
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Ringwold Ground
No. 208 (Archive)
A fresh yet warm cream
“Ringwold Ground, like the slightly lighter Tallow, is a fresh-feeling neutral that creates a delightfully warm and glowing room. Named after a Hampshire rectory occupied by one of the original Farrow & Ball directors, the addition of the merest amount of red pigment adds warmth without feeling too creamy.”
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Lancaster Yellow
No. 249 (Archive)
A fresh pale yellow
“This fresh, pale yellow was inspired by silk wall hangings, fashionable in the mid 20th century when yellow was at the height of its popularity. It has a delightfully uncomplicated feel.”
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Yellowcake
No. 279 (Archive)
A vibrant yellow
“Just like the classic American home bake after which it’s named, this vivid yellow has a homely feel that can’t fail to make you smile. Zingy hues like Yellowcake were incredibly popular in the 1960s, and still feel very much at home in the 21st century, especially as part of a bright mid-century modern scheme.”
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Butterweed
No. 9802 (Archive)
A clear, lively yellow
“Butterweed is a clear and lively yellow that's perfect for use in nurseries. It mimics the cheerful petal colour of the plant from which it takes its name, which fills fallow fields and roadside verges in spring.”
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A vibrant lime green
“Acid Drop, as its name suggests, is a bright and energetic citrus shade. Lime green with a hint of warming yellow, it captures the same zingy thrill as the intensely sour boiled sweet after which it’s named, especially when combined with the equally vibrant Charlotte's Locks.”
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Sherbert Lemon
No. 9914 (Archive)
A sunny, uncomplicated yellow
“A typical Regency or Soanian colour, cheerful Sherbert Lemon is a darker version of our classic Dayroom Yellow, and will fill your room with the feeling of sunlight.”
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A distinctive lively yellow
“Corngold takes its name from the lively colour of sun-ripened maize. The cleanest and most definitively yellow of our darker yellow colours, it brings sunshine to any room.”
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A softened citrus shade
“Inspired by the lemon trees that thrive in California’s temperate climate, this softened citrus shade is an earthy, contemporary take on a true chartreuse.”
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Mortar Pink
No. G13 (Archive)
A yellowed pink
“In the 18th century, colour connoisseurs would have referred to this shade as pink, while to the modern eye it appears more yellow. Regardless of how you perceive Mortar Pink, it brings an undeniable warmth to any room.”
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Faded Terracotta
No. CC8 (Archive)
A soft, pale orange
“The singular colour of terracotta pots and tiles baked to a pale hue by the California sun. An easygoing shade characterized by softness and warmth.”
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An earthy terrracotta
“With hints of orange, red and brown, Fox Red mimics the coat of one of our most beautiful and enigmatic garden visitors. Its clear terracotta colour, stronger than that of Red Earth, gives it an appealingly aged feel.”
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Porphyry Pink
No. 49 (Archive)
A deep, muted rose
“This muted rose is inspired by the palettes of the Regency period, when it would often mimic architectural details created from porphyry, a dark stone much loved by the Romans. Today, it looks just as at home in modern schemes, perfect as a slightly moodier alternative to terracotta.”
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Book Room Red
No. 50 (Archive)
An aged terracotta
“Book Room Red, the muddiest of our reds, is particularly suited to smaller spaces where the stronger Eating Room Red can be a little overwhelming. It takes its name from the reading rooms or small libraries often found in English stately homes, and creates an unapologetically aged feel.”
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Etruscan Red
No. 56 (Archive)
A brown-based deep red
“This deep earth colour became a popular feature in neoclassical decoration following the original 18th-century excavation at Pompeii. With more brown tones and less intensity than Preference Red, it's a wonderful grounding shade for kitchen islands and pantries.”
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A typical terracotta
“Typically used for the painting of orangeries in the 18th century, this mid-tone terracotta takes it name from the unique home of architectural historian Gervase Jackson-Stops.”
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A modern crimson
“This bright and modern red takes its name from the distinctive crimson leaves of Italian chicory. Although tempered with magenta, Radicchio contains less blue pigment than Eating Room Red so is brighter and more contemporary in feel. It confidently fills a room with energy without having the brashness of a true, clean red.”
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A brilliant red
“Blazer is a bright and cheerful vermilion which reads like a cleaner, more contemporary version of Rectory Red. It grabs your attention just like the sports blazers worn at St John’s College, Cambridge after which it was named. Close in colour to orange, this rich hue is both regal and charming.”
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A brick-coloured red
“We were inspired to create this colour by chips of paint taken from the rendered loggia of a London townhouse. The elegant original shade was presumably chosen for its resemblance to the classic red brickwork surrounding it.”
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Terre d' Egypte
No. 247 (Archive)
A deep, warm red
“A rich orange-red, Terre D’Egypte brings incredible depth to interiors and exteriors alike. Used outside, under direct sunlight, it creates a warm terracotta glow. Inside, it makes for cosy rooms with an intimate, enveloping feel.”
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A charming mid-tone pink
“Inspired by the summery fruit cocktail of the same name, Pink Cup has a luminous quality that creates warm and charming rooms.”
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Blooth Pink
No. 9806 (Archive)
A pretty, yellowed pink
“Taking its evocative name from the Dorset dialect word for 'blossom', this pink is as pretty as the blooms that inspired it. A more yellow interpretation of Nancy's Blushes.”
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A yellowed orange
“As warming as the classic French dish from which it takes its name, Bisque is a softer interpretation of Charlotte's Locks, and a vibrant and welcoming addition to any space.”
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Copenhagen Roof
No. 9816 (Archive)
A strong brick red
“This strong, chalky red is inspired by the old city of Copenhagen, where distinctive red roof tiles sit atop brightly coloured gabled townhouses.”
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Potted Shrimp
No. 9906 (Archive)
A traditional blush colour
“A touch lighter and more yellow than Setting Plaster, the classic blush colour of Potted Shrimp results in rooms that feel delightfully familiar and embrace you in their warmth.”
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Fruit Fool
No. 9911 (Archive)
A mouthwatering pink
“Taking its name from the summer pudding so popular in the post-war era, this mouthwatering pink never feels too sweet due to its underlying blue tone.”
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Sugared Almond
No. 9913 (Archive)
A refreshing pale lilac
“Sugared Almond is an unapologetically charming shade named after a traditional treat. This blushing lilac brings playfulness and personality to any space, while still being soft enough to use in bedrooms, thanks to its refreshing blue undertone.”
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A fiery hot red
“Not unlike its fiery namesake, Harissa creates a warming effect anywhere in the home. It transforms any small room into a bold, energetic space, especially when combined with a darker tone like Tanner's Brown on woodwork.”
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Folly Pink
No. G14 (Archive)
A pale terracotta
“Folly Pink is a very pale terracotta with a changeable nature, appearing more neutral when used on exteriors and warmer when used indoors.”
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Singed Red
No. G15 (Archive)
A relaxed rusty red
“With its large dose of brown pigment, Singed Red is a warmer, more relaxed version of our popular Picture Gallery Red, creating a cosy, lived-in feel wherever it's used.”
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An adventurous cool red
“This adventurous colour appears red to some and pink to others, but always feels happy and vital. Fantastic in small spaces, Lake Red feels dynamic and energising used across walls, woodwork and ceilings, and works wonderfully inside cupboards.”
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Crimson Red
No. W93 (Archive, Colour by Nature)
A deep, warm pink
“This deep, warm pink creates spaces that feel soft and inviting, especially when teamed with Skimmed Milk White on woodwork. Paired with dark tones, however, Crimson Red takes on a glamorous feel, with Titmouse Blue in particular bringing out its rich and romantic nature.”
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Ointment Pink
No. 21 (Archive)
A soft terracotta
“Warmer and brighter than Dead Salmon or Setting Plaster, Ointment Pink creates a soft terracotta glow wherever it’s used. This soft orange-pink is typical of the early 19th century, with similar shades having been found at Calke Abbey and Kedleston Hall, as well as in the grand entrance hall of Castle Coole.”
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Fowler Pink
No. 39 (Archive)
A bright orange-pink
“This shade of pink was one particularly favoured by decorator and colourist John Fowler, who used it often in paints and wallpapers. With a tone that verges on orange, it’s a brighter, more saturated alternative to our more complex pinks, such as Setting Plaster or Dead Salmon.”
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Entrance Hall Pink
No. 61 (Archive)
A yellowed pink
“A paler version of Ointment Pink with a distinctly yellow base, Entrance Hall Pink delights in different light conditions due to its changeable nature. While fairly intense in small rooms, it becomes almost neutral if used in large spaces, such as the entrance halls from which it takes its name.”
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Dutch Pink
No. 62 (Archive)
A warm-toned peach
“Rather than the blushing shades we now collectively call pink, this peachy colour takes its name from the original ‘Dutch pink’, an artist’s yellow pigment made from bark or berries. Like all our colours, it’s extraordinarily responsive, appearing more orange, yellow, or pink depending on the light.”
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An intriguing orange-yellow
“Appearing more orange or more yellow depending on the light, this beautifully singular shade is reminiscent of an 18th-century colour much used in orangeries. It brings an enveloping warmth to walls, especially in south facing rooms that are flooded with light throughout the day.”
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Dutch Orange
No. W76 (Archive, Colour by Nature)
A clean bright orange
“Dutch Orange is a clean bright orange with the ability to enliven any space. With a dynamic quality that brings an enveloping warmth to rooms, it feels lively combined with Verdigris Green and Skimmed Milk White, and looks particularly stunning with a Duck Green trim.”
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Orange Coloured White
No. W5 (Archive, Colour by Nature)
A warm cream with a hint of orange
“Orange Coloured White is a fresh yet warm cream particularly suited to north facing spaces. The addition of the merest amount of red pigment to this earth based neutral adds a delicate luminosity without feeling too creamy, creating delightfully warm rooms that appear to glow.”
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Stone White
No. 11 (Archive)
A soft, cool neutral
“With its unmistakable green undertone, Stone White is an unusual neutral with a beautiful underlying complexity. Inspired by a Palladian palette, this off-grey looks most at home with shades that share its soft, cool characteristics.”
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Green Stone
No. 12 (Archive)
A green-based neutral
“One of Farrow & Ball's original neutrals, this cool tone was often used in panelled rooms at the beginning of the 18th century. Like its counterpart, French Gray, it appears distincly green to the modern eye despite its long-standing popularity as a neutral.”
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A rich, earthy green
“Olive is a very earthy green originally used in panelled rooms. It’s best suited to darker spaces, where the richness of this colour really comes into its own. For this reason, it looks most at home when paired with a traditional neutral such as Off-White or Old White.”
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A clean mid-green
“The name 'pea green' was often referred to in 18th-century accounts of paintwork, but our version originates from the pale green wallpaper of the Caricature Room at Calke Abbey. Sitting somewhere between Calke Green and Breakfast Room Green, it has a happy feel that translates to uplifting rooms.”
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Chine Green
No. 35 (Archive)
A dark off-black green
“This earthy green takes its name from a steep-sided coastal gorges that are a common feature of the landscape around our home on the south coast of England. Used on cabinets, it creates the familiar feel of a working kitchen in an old country house; used outdoors, it makes for a subtle woodwork colour, mirroring the green of any surrounding foliage.”
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Folly Green
No. 76 (Archive)
A strong but soothing green
“While originally inspired by neoclassical interiors, Folly Green is easy to use in all sorts of homes, creating spaces that feel both relaxed and refined. This particular shade was very popular in the late 18th century, and strikes the perfect balance of strong and soothing in traditional and modern rooms alike.”
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Suffield Green
No. 77 (Archive)
A 'good-taste' green
“This 'good-taste' neo-Georgian green was often seen on pre-war historical colour cards. Livelier than Sutcliffe Green and a little more intense than Breakfast Room Green, it remains a firm favourite in contemporary homes.”
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Sutcliffe Green
No. 78 (Archive)
A connoisseurs' green
“Connoisseurs often cite green as being the ultimate background colour for hanging pictures, and we think Sutcliffe Green is among the best. It is named after the great colourist John Sutcliffe, who was so instrumental in making Farrow & Ball what it is today.”
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Saxon Green
No. 80 (Archive)
A light, traditional green
“With a little more yellow than Breakfast Room Green, and less intensity than Yeabridge Green, Saxon Green has a traditional feel and a soft, lived-in quality. This historic shade harks back to a time before British Standard Colours were established in 1931, when it was regularly found on paint makers’ cards.”
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Chappell Green
No. 83 (Archive)
A subdued blue-green
“Chappell Green is both slightly greener and more intense than Green Blue, but shares its changeable nature, reading blue when contrasted with warmer tones and green when paired with cooler shades. Very cheerful and welcoming, it is a great favourite for kitchens.”
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Castle Gray
No. 92 (Archive)
A versatile grey-green
“Castle Gray’s first use may have been on the exterior woodwork of a castle, but it’s a wonderfully versatile shade for homes of all kinds, inside and out. It is particularly striking when used to ground kitchen islands, or in the back of bookcases to create depth and balance.”
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Carriage Green
No. 94 (Archive)
An intense dark green
“With slightly less black pigment than Farrow & Ball favourite Studio Green, this intense dark green hue makes a very sophisticated shade for front doors, especially in high-shine Full Gloss.”
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Mere Green
No. 219 (Archive)
A traditional teal
“Mere Green is a luxurious teal shade, a little more intense in colour than Vardo. Despite its more traditional feel, it still bursts with energy, making it ideal for the contemporary home.”
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Minster Green
No. 224 (Archive)
An inviting deep green
“More intensely green than Green Smoke, yet deeper and more aged than Calke Green, this inviting mid tone has a lived-in feel that works wonderfully in traditional spaces. Its name is inspired by our home in Dorset, just outside the market town of Wimborne Minster.”
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Monkey Puzzle
No. 238 (Archive)
A deep 'estate' green
“Conjuring images of the distinctive evergreen tree so popular in the 1920s, Monkey Puzzle is a typical 'estate colour' that has endured through the generations and remains irresistible for contemporary homes. Its deep green hue sits beautifully alongside both brick and stone.”
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Tunsgate Green
No. 250 (Archive)
A fresh and delicate green
“Our most delicate green takes its name from Tunsgate Square, home to one of our very first showrooms just off the cobbled high street in Guildford. With its big dose of yellow pigment, Tunsgate Green is an incredibly versatile shade for both inside and out.”
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Churlish Green
No. 251 (Archive)
A yellow based green
“Churlish Green takes its name from the old English definition relating to simple peasant life. With its highly pigmented yellow base, this mid green creates a totally unique look which makes it a statement colour when contrasted with shades as strong as Tanner’s Brown. It is also fabulous when used in Full Gloss. ”
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Blanc De Chine
No. 9814 (Archive)
A subtle porcelain colour
“Blanc de Chine takes its name from the exquisite porcelain originally made by the master potters of China's Fujian province. Appearing blue in some lights and white in others, it's a beautifully subtle shade that works well alongside the equally intriguing Light Blue.”
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Danish Lawn
No. 9817 (Archive)
A vivid fresh green
“This lucid green conjures the freshness of newly cut lawns and the cool, clear light of a Danish spring day.”
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A deep, earthy green
“This earthy deep green takes its name from the historic deer park that offers fresh air, sparkling lakes, and shady woodland to day trippers from nearby Copenhagen.”
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A pale, fresh green
“This fresh green is a love letter to the iconic palms that dot the LA skyline. It has a desaturated quality, as if always being seen in the clear, bright light characteristic of California.”
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Grove Green
No. G17 (Archive)
A deep natural green
“Originally descended from Old English, the name of this deep green is taken from the ancient patches of woodland that dot the landscape of the British Isles. Somewhat bluer than Duck Green, it creates luxurious-feeling spaces with an indelible connection to the natural world.”
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Vitty Green
No. G3 (Archive)
A contemporary grey-green
“This greyer take on Blue Gray is named for the Dorset dialect word 'vitty', meaning 'neat and proper'. It is perhaps most deserving of this name when combined with All White, creating a palette that feels graphic, crisp, and clean.”
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Pond Green
No. G7 (Archive)
A strong aqua
“Sitting between Green Blue and Chappell Green, this charming aqua shade was inspired by the colour chosen by Sir Winston Churchill for the seats around his garden pond.”
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Verdigris Green
No. W50 (Archive, Colour by Nature)
An elegant copper green
“While happy and lively on first glance, Verdigris Green retains a reassuring feel and underlying elegance when used in the home. A rich blend of pigments allows it to feel more vibrant teamed with lighter tones than with darks, and it takes on added vitality when combined with Dutch Orange or Lake Red.”
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Emerald Green
No. W53 (Archive, Colour by Nature)
A bright, uncomplicated green
“Emerald Green is easy to use in all sorts of homes, creating rooms with an upbeat yet elegant atmosphere. This beautiful jewel tone makes an excellent addition to strong multi-coloured schemes, especially alongside Lake Red and Ultra Marine Blue, where it strikes a balance between being vibrant and soothing.”
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Duck Green
No. W55 (Archive, Colour by Nature)
A smart deep green
“Named after the deep green plumage of a mallard, Duck Green is a wonderful reminder of the exquisite colours of nature. Strong but subdued, it offers a contemporary alternative to charcoal shades for modern homes, and makes a warm and welcoming pair with Deep Reddish Brown on woodwork.”
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A true earthy green
“This organic green is a true reflection of nature, creating a soft, lived-in atmosphere when combined with Broccoli Brown and Duck Green. Used in smaller spaces, such as a hallway or porch, it creates a richer, more vital atmosphere.”
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Berrington Blue
No. 14 (Archive)
A blackened mid-tone blue
“This blackened mid-tone blue, originally taken from the boudoir at Herefordshire's Berrington Hall, is a stronger alternative to the ever-popular Oval Room Blue. With its large dose of black, Berrington Blue is to blues what Card Room Green is to greens – perfect for a living room, or any space you'd retire at the end of the day.”
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Powder Blue
No. 23 (Archive)
A stronger version of Pale Powder
“Powder Blue is a popular aqua colour that gave rise to another Farrow & Ball classic, Pale Powder. Originally taken from a sample by John Fowler, this mid-blue continues to delight, largely thanks to its unusual warmth”
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Ballroom Blue
No. 24 (Archive)
A warm mid-tone blue
“Ballroom Blue takes its name from the entertaining spaces and ballrooms of which it was once a common feature. Its popularity was thanks to its enticing depth of colour, which made it strong enough to decorate large spaces. Ideal for those looking for a slightly darker version of Dix Blue.”
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Sugar Bag Light
No. 29 (Archive)
A charming, weathered blue
“This charming colour was inspired by the sun-bleached bags used to import sugar. With their similar levels of intensity, it is often seen as a blue version of Chappell Green.”
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A black-based blue
“Sitting between Oval Room Blue and Inchyra Blue, the black-based Sloe Blue is the perfect colour for contemporary living rooms or distinctive exterior woodwork.”
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Chinese Blue
No. 90 (Archive)
A classic, ceramics-inspired blue
“Warmer than Cook’s Blue and brighter than Stone Blue, this shade was inspired by the blue and white patterned Chinese ceramics displayed in the room for which it was originally mixed.”
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Belvedere Blue
No. 215 (Archive)
A classic indigo
“Belvedere Blue is a cleaner, brighter, and less green version of Stone Blue. It appears stronger when used in small rooms, creating dramatic spaces.”
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Pitch Blue
No. 220 (Archive)
A lively cobalt blue
“This strong cobalt blue, with its dose of black pigment, takes its name from the dark sticky tar often used in roofing. Pitch Blue has an almost purple feel to it and is extremely lively in south facing rooms, especially when contrasted with bright shades such as All White. However, it looks more sober and rich when used in areas deprived of light or those lit in the evening by candles.”
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Pavilion Blue
No. 252 (Archive)
A delicate green blue
“This fresh green blue is inspired by the wonderful Regency colours of the Royal Pavilion in Brighton, although a little lighter in tone. When teamed with All White it creates a clean and delicate finish, without feeling too cool, making it a brilliant choice for bathrooms. Pavilion Blue can also be used on woodwork with stronger tones such as Green Blue. ”
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Drawing Room Blue
No. 253 (Archive)
A clean blue hue
“This rich blue is less purple than Pitch Blue and livelier than navy Stiffkey Blue. Inspired by the formal rooms to which ladies would traditionally retire after dinner, Drawing Room Blue has a clean, graphic feel that works particularly well alongside Pitch Black and Incarnadine. When contrasted with All White on woodwork, it gains a regal edge, looking deeper and more intense.”
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St Giles Blue
No. 280 (Archive)
A vivid blue
“This clean and vivid blue is inspired by a colour originally found in the hall at 17th century St Giles House in Wimborne St Giles, Dorset. Its striking blue hue cannot fail to make you smile and will hold its own even in the darkest of places, so is often used as an accent in the back of bookshelves. ”
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A refreshing sky colour
“The ultimate refreshing blue, reminiscent of the far-off skies of our childhood imaginations. Try it as a wall colour with All White trim for a particularly fresh combination.”
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Bay Area Blue
No. 9815 (Archive)
A clear, bright blue
“Stronger than Lulworth Blue, its British counterpart, this is a colour inspired by the sparkling blue waters of the San Francisco Bay Area.”
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Dinnerware
No. 9820 (Archive)
A clean, lively blue
“Dinnerware is a clean blue, slightly livelier than Drawing Room Blue and evocative of the colour used for the pattern of 18th-century chinaware.”
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A chic dark blue
“Stronger than Drawing Room Blue and less green than Hague Blue, Serge is a chic shade named after the original fabric used to make jeans. It makes a wonderful dining room colour, creating an elegant feel that's well-suited to entertaining spaces.”
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A muted blue-grey
“This muted blue-grey is inspired by the marine layer that brings drifts of dreamy fog inland, capturing the fresh feeling of early mornings on the coast.”
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A very cool light blue
“The coolest and cleanest of our blues, Graupel is as delicate as the ice it is named after. A pale shade ideally suited to creating spa-like bathrooms and light, breezy bedrooms.”
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Bothy Blue
No. G11 (Archive)
A vibrant ultramarine
“This vibrant blue is based on an ultramarine pigment, synthesised in 1826 for use in the gardeners' bothy at Calke Abbey in Derbyshire. With its inherently happy feel, Bothy Blue is a brilliant wall colour for family rooms.”
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A lively, timeless blue
“This lively blue was originally used as the 'estate colour' of a settlement in South Wales, lending its signature hue to each of the properties on the land. In homes today, it's a wonderful option for those looking for a cleaner, more vibrant version of Stone Blue.”
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Beetle Black
No. G16 (Archive)
A chic strong grey
“This chic and understated grey is inspired by the distinctive sheen of the elytra, or wing casings, that give winged beetles their smooth, armoured appearance.”
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Barrow Blue
No. G8 (Archive)
A faded blue-grey
“This variable blue-grey, reminiscent of faded gardeners' overalls, feels delightfully grounded, creating a similar impression to the lighter De Nimes and the darker Inchyra Blue.”
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Coppice Blue
No. G9 (Archive)
A rich, deep teal
“For over 100 years, this rich teal was used on the garden paintwork at Gloucestershire's Snowshill Manor, where its lush green undertones paired perfectly with the warmth of the golden Cotswold stone. Today, it creates a dramatic feel in contemporary hallways and living rooms.”
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Ultra Marine Blue
No. W29 (Archive, Colour by Nature)
A romantic mid-toned blue
“A stunning blue with a slightly romantic feel, Ultra Marine Blue has been in favour since the 18th century, when it was often used to make small rooms feel bigger. For the contemporary home, it looks striking on cabinetry, especially combined with a kitchen island in dramatic Titmouse Blue.”
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Black Blue
No. 95 (Archive)
A sophisticated black-blue
“Black Blue takes its name from the two essential pigments that make up its rich colour. This deep shade appears much bluer when seen in large areas, especially when used in Full Gloss. When painted on small areas, or contrasted with a bright white, it will appear almost black in colour. Wherever it’s used, this saturated tone feels incredibly sophisticated.”
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Bible Black
No. 225 (Archive)
A purple-based black
“Once used to describe the intense black of a starless night in Dylan Thomas’ Under Milk Wood, Bible Black is an inky violet shade that adds richness and depth to any feature, inside or out. Like the slightly stronger Paean Black, it is very popular for front doors, especially in Full Gloss.”
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Grate Black
No. 9920 (Archive)
Just off black
“A special hue for connoisseurs of black, Grate Black sits between the softer tones of Off-Black and the more intense Pitch Black, creating a versatile shade for trim and metalwork.”
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Smelt Black
No. G18 (Archive)
A soft, variable black
“Sitting between Railings and Off-Black, Smelt Black is a soft base metal colour that is perfect for use on ironwork.”
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A soft off-black
“Capturing the off-black shade of sun-baked desert highways, this deep yet restrained neutral is soft enough to envelop a whole room.”
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A strong, true grey
“A true, effortless grey to bring strength, structure, and clarity to any palette – just as it does to the landscape on city streets and cloudy coastal days.”
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A crisp white
“A bright, crisp white, reminiscent of the salty air ushered in by the Pacific Ocean and the delicate crystalline layer it leaves behind.”
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A classic taupe
“Named to reflect our traditionally rooted history, Archive is a stronger, warmer version of Joa’s White. Perceived by many as a classic taupe, it has a slightly cleaner feel than Oxford Stone and creates a rich glow in any room. This colour works particularly well in dimly lit rooms if you want to create a cosy environment, but can be surprisingly orange in brighter spaces.”
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A soft chalk white
“Clunch is named after the chalk stone used in the off-white building blocks of many East Anglian buildings. Its yellow base creates an incredibly versatile finish, making this an easy colour to live with. Clunch is often contrasted with Pointing on woodwork for a fresher look, or with Shaded White to create a more traditional room.”
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House White
No. 2012 (Archive)
A clean citrus white
“This clean off white, with its slight green undertone, has an almost citrus feel which brings with it a bright and fresh finish. Not to be thought of as a pretty cream, its subtle citrus tone is relevant to any house of any period, be it yours or ours! House White is often paired with All White when used on walls, or as a woodwork colour when used with the stronger, fresher greens like Studio Green. ”
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Snow White
No. W1 (Archive, Colour by Nature)
A fresh, delicate white
“Snow White is a wonderful alternative to a pure white, versatile enough to be used on woodwork and ceilings alongside any other colour. A tiny hint of yellow pigment is the secret to its warm and reflective nature, bouncing light around in even the darkest of spaces and creating rooms with a laid-back feel.”
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Skimmed Milk White
No. W7 (Archive, Colour by Nature)
A mid-tone off white
“Skimmed Milk White is a mid-tone off white with extraordinary softness. Its laid-back nature creates rooms that feel as if they have been that colour forever, whether used on woodwork alongside a stronger wall colour, or on walls with a Snow White trim for a more contemporary feel.”
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Templa White
No. G4 (Archive)
A honey-coloured cream
“This pale, honey-coloured cream was often used on both the inner and outer walls of garden follies and temples, popular in the early 18th century. In our palette, it sits between Farrow's Cream and Dorset Cream.”
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Light Stone
No. 9 (Archive)
A light, complex neutral
“Leaning slightly cooler than our Yellow Based Neutrals, yet not quite as green as our Traditional Neutrals, Light Stone adds subtle intrigue to any scheme. Despite its complexity, it is wonderfully easy to live with, especially when paired with a lighter neutral on woodwork for a classic combination.”
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A timeless green-toned neutral
“Fawn is our interpretation of a classic 18th-century tan. Originally, this colour would have been used across both walls and woodwork, however Fawn’s underlying greenness means that it also sits beautifully among lighter shades from our Traditional Neutrals group, or on exterior surfaces where it can mirror the tones of surrounding greenery.”
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A timeless sandy neutral
“Buff is a sandy neutral with an underlying warmth that suits all kinds of schemes, looking more traditional when paired with deep Victorian reds and more modern when used as a deeper accent to Jitney. It takes its name from the ancient aurochs, or “Buffe”, an extinct species of wild cattle.”
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A uniquely complex cream
“A duskier alternative to the fresh-feeling Farrow’s Cream, this classic creamy neutral is given extra complexity with the addition of yellow ochre and black pigments. On walls, combined with accents from our Traditional Neutrals group, it gives a wonderfully lived-in feel.”
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Wall White
No. 58 (Archive)
An understated off-white
“Unsurprisingly, this shade is a wonderful wall colour for a white room, especially when used alongside ceiling and woodwork colours from our Traditional Neutrals group. A beautifully understated neutral with a hint less green than Old White.”
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Smoked Trout
No. 60 (Archive)
A warm mushroom
“The name of this Farrow & Ball classic needs no explanation! Brimming with rich pigments, Smoked Trout is a dark mushroom tone that can read as anything from a deep taupe to a dustier red depending on the light. With a magical depth and almost three-dimensional quality, is has a romantic feel wherever it’s used.”
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A discreet pink
“As its name suggests, Pink Drab lacks the brightness that can make other pinks appear sugary, resulting in a discreet and charming shade.”
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Middle Ground
No. 209 (Archive)
On the blue side of aqua
“Originally made as a background colour for Farrow & Ball wallpapers, this shade is a little stronger and less green than Teresa's Green, but warmer than Light Blue, creating the perfect middle ground.”
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Savage Ground
No. 213 (Archive)
A strong neutral stone
“This yellow based stone hue was first created as a background colour for our wallpapers but was quickly added to our paint collection by popular request. Named after Dennis Savage, a block printer who was instrumental in the creation of our very first wallpaper designs, this warm and timeless neutral sits beautifully on both clapboard and panelling. ”
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A stony modern gray
“This popular colour is similar to Charleston Gray, but with a little less warmth. It looks equally at home in an airy, industrial space as it does in a historic home.”
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An earthy yellow-toned neutral
“This warm neutral takes its inspiration from something rather different than you might expect – a darker accent to String and Cord, Cat’s Paw is aptly named after a complex nautical knot. Strong, earthy and grounding, it has a surprisingly green undertone when used in north facing rooms.”
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Ancona Blue
No. 9805 (Archive)
A duck-egg blue
“Everyone has a different interpretation of duck-egg blue – this is ours, inspired by the delicately coloured eggs of the Ancona duck.”
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Farrow's White
No. 9812 (Archive)
An easy off-white
“Sitting between School House White and Slipper Satin, this white can be used with any Farrow & Ball colour, making it one of our most versatile shades.”
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Single Cream
No. 9901 (Archive)
A warm light cream
“Like the stronger Double Cream, this colour has a redder base than most classic creams and can be used to bring warmth to north facing rooms. As a wall shade, it looks delightful alongside traditional panelling painted in Double Cream.”
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Somewhere between cream and yellow
“Bombazine is more yellow than Farrow's Cream, but less red than Ringwold Ground. It takes its name from a twilled dress fabric of worsted and silk.”
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Shadow Gray
No. 9904 (Archive)
A weathered grey neutral
“Similar in tone to Shaded White but a little deeper and bluer, Shadow Gray is an understated, slightly weathered neutral – great for use in south facing rooms.”
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Double Cream
No. 9907 (Archive)
A warm cream
“Like Single Cream, this colour has a much warmer base than our classic Farrow's Cream. It particularly shines in north facing rooms, where it counteracts the perceived green light. Try it alongside the lighter Single Cream for a subtle palette.”
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Vichyssoise
No. 9909 (Archive)
A delicate green
“As delicate as the soup it is named after, Vichyssoise feels fresh when teamed with All White and softer when used with our Traditional Neutrals. In smaller rooms the colour will intensify, while in large spaces it appears as just a hint of colour.#: Mid TonesComplementary white: Lime White”
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A subtly warm peach
“Fake Tan is a less orange version of fellow Archive colour Fowler Pink, named after the ubiquitous tanning products of the 1980s. Its stonier tone brings an earthy warmth to all rooms, but particularly shines in south facing spaces.”
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A relaxed green-grey
“Ash Grey has a relaxed feel that makes it suited to any space, particularly when combined with the slightly warmer Skimmed Milk White on woodwork. For a more modern look, try teaming with a lighter Snow White trim. The underlying green in this shade means that it will appear more intensely coloured in natural daylight and greyer in areas of low light.”
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Light Sand
No. CC2 (Archive)
A sandy neutral
“A warm white of depth and complexity, this versatile neutral conjures images of Malibu, with its soft-sanded beaches and its coastal homes filled with natural wood and textured linens.”
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Blanc De Treillage
No. G1 (Archive)
An understated warm white
“A little stronger and warmer than Slipper Satin, this understated colour works well in any kind of supporting role, whether on garden trelliswork – where it was first found – or as a woodwork and ceiling colour combined with a stronger shade on walls.”
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Turret White
No. G2 (Archive)
A warm mid-white
“This mid-white is warmer than our Traditional Neutrals group, making it the perfect partner for Stony Ground. Used together, they create a quietly refined look that's easy to live with.”
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A warm stone
“First found on cast-iron urns used as a popular decorative feature of Victorian gardens, Planter is a stonier, more yellowed version of London Stone.”
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Tack Room Door
No. G6 (Archive)
A yellowed mid-brown
“This mid-brown shade has an enduring connection to the natural world, giving the impression of deep brown woodwork weathered to a more relaxed hue by years of exposure to the elements.”
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A delicate white with a hint of grey
“This delicate white has a barely there and almost translucent feel to it, and so shares its name with the old Dorset term for a spider’s web. One of our Easy Neutrals, Wevet is clean, understated and incredibly easy to live with. With its hint of grey, this hushed tone can be used as a wall colour for a neutral contemporary space or on ceilings and woodwork when combined with cooler greys. ”
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A totally pure white
“All White is exactly what it says! Unusually, it contains no other pigment except for white, creating the softest most sympathetic colour without the colder blue undertones of a brilliant white. One of our Contemporary Neutrals, All White pairs seamlessly with Skimming Stone and Strong White for a warm scheme with a slight edge. For a clean and almost graphic finish, contrast with fresh, strong tones like Pitch Black and St Giles Blue. ”
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A naturally understated grey
“Ammonite is named after the treasured fossils often found on the Dorset coast. It has a fantastically understated quality, and sits effortlessly with our Easy Neutrals. Neither too warm nor too cool, its subtle grey tone creates a hushed and calming feel in homes both old and new. Try pairing with All White to accent its light grey feel. ”
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A cool white
“Our coolest white, with the slightest hint of grey, was historically made with the addition of lamp black pigment gathered from the smoke of burning oil lamps. Blackened sits perfectly with each of our Architectural Neutrals for a minimal look or stronger industrial feel. It’s particularly spectacular when used in Full Gloss within stainless steel kitchens, or when paired with All White for an uncompromisingly modern finish. ”
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An understated grey
“Cornforth White is the mid tone in the group of Easy Neutrals which are totally understated and extremely versatile. Neither too warm nor too cool, Cornforth White sits contentedly between Ammonite and Purbeck Stone to create a hushed and calming retreat. Named in memory of John Cornforth, the revered architectural historian, contrast with Wevet to enhance its grey qualities.”
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A cool and delicate grey
“Dimpse is a delicate grey named after the quaint West Country dialect for the colour of twilight and is one of our cooler Architectural Neutrals. Sitting between Pavilion Gray and Blackened, its subtle blue undertones work particularly well in modern architectural spaces. Brush onto kitchen units alongside a Down Pipe island for a clean finish that is conducive to minimal living. ”
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An understated stone grey
“Purbeck Stone is a clean and understated mid grey that resembles the colour of stone found on the Isle of Purbeck, close to our home here in Dorset. Purbeck Stone is the strongest of our Easy Neutrals, sitting contentedly as part of a calming scheme with Cornforth White, Wevet and Ammonite in homes both old and new. ”
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A cool mid grey
“This classic mid grey was originally created for a bespoke pavilion, but is also reminiscent of an elegant 18th century Swedish colour. One of the Architectural Neutrals, the subtle blue undertones of Pavilion Gray add a contemporary touch and sense of spaciousness. Combine with Dimpse, Blackened or Manor House Gray in any combination for a scheme that is perfect for the modern family home.”
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A grey based white
“This cool white is both strong by name and strong by nature. One of our Contemporary Neutrals, the subtle urban feel of its light grey undertones add a contemporary twist to period homes, while staying in keeping with modern properties. Pair with Skimming Stone, Elephant’s Breath and All White in any combination for an effortlessly cohesive scheme. ”
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A soft off white
“This is the lightest colour in the group including Shadow White, Shaded White and Drop Cloth — each created to look like white when used in deep shade. Pared back, timeless and familiar without the cool undertones of the more contemporary neutral groups, this soft off white is reminiscent of the colour used in old school houses.”
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A warm light grey
“This stony off white takes its name from a 19th century skim, or plaster colour, but often reminds us of childhood afternoons skimming stones. With its warm light grey undertones, Skimming Stone is extremely versatile and particularly suited to soothing bedroom schemes. One of our Contemporary Neutrals, it sits with the lighter Strong White and darker Elephant's Breath for a clean and contemporary look, but can also be used in a darker statement scheme alongside Pelt or London Clay. ”
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Soft white with a hint of grey
“Shadow White takes its name from the soft tone created when whites are used in shaded areas, bringing out the slightest hint of grey. For devotees of lighter neutrals on both walls and woodwork, this versatile and understated colour works brilliantly in any style of home. It has none of the perceived yellow of Slipper Satin and is the perfect contrast to the slightly darker Shaded White. ”
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A warm mid grey
“This warm and contemporary grey is renowned for its characterful paint name, originally created by John Fowler, the notable English interior designer. Elephant's Breath reads as an uplifting mid grey with its hint of magenta, but can become almost lilac in the cooler light of west facing rooms. Try offsetting with Charleston Gray and London Clay for an invitingly earthy scheme with more intense accents, or pair with other Contemporary Neutrals such as the softer Strong White for a sense of neutrality and calm. ”
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A light grey beige
“Neither too warm nor too cool, this neutral takes its name from the soft tone created when many of our whites are used in deep shade. Shaded White has a gentle greyness, but with none of the cooler tones of Cornforth White, making it incredibly versatile within homes both old and new. It is often used alongside lighter shades such as Pointing or Slipper Satin for a restful space, or paired with Drop Cloth for a wonderfully relaxed feel.”
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A warm grey with lilac undertones
“Dove Tale is a darker version of Elephant's Breath and is perfect for those who are hoping for a warm grey finish. Typical of the colours used by the bohemian Bright Young Things between the wars, it is the perfect choice for the bedroom as its gentle lilac undertone creates a soft and inviting feel. Pair with Skimming Stone for the most flattering and subtle scheme.”
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A gentle mid grey beige
“Neither too yellow, nor too grey, Drop Cloth is the traditional name for the indispensable painter's dust sheet which this muted colour embodies. A nod to our painters and decorators, this mid grey beige is the perfect contrast to our slightly lighter Shaded White and Shadow White, creating a trio of colours that sit effortlessly together in modern and traditional homes, both large and small. ”
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A warm and delicate white
“This fresh and uncomplicated white is named after the colour of lime pointing used in traditional brickwork. One of our Red Based Neutrals, Pointing has a warm undertone to it which creates the prettiest of spaces when used on walls and always softens the feel of a room alongside strong, traditional colours. ”
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A chalky off white
“This popular off white takes its name from the delicate colour of silk used in traditional ballet slippers. Without cool blue undertones, Slipper Satin often reads as a pale grey chalk which makes for a perfect neutral on walls with darker Old White woodwork. Pair with other shades from our Traditional Neutrals for a subtle and sophisticated scheme. ”
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A very pale taupe
“Dimity is named after the lightweight cotton fabric originally used to make ladies’ bustles, but which is now more commonly used for bedding. One of our Red Based Neutrals, this pale and subdued taupe is brimming with warmth and an unmatchable depth, making it perfect for elegant and understated hallways. It can be combined with All White and Pointing to read pinker, or with the darker Oxford Stone on woodwork for a slightly aged look and relaxed feel. ”
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A chalky off white
“This timeless off white is named after the chalky pigments used in original distempers. One of our Traditional Neutrals, its soft tone is created by the addition of a small amount of green pigment. Lime White has a totally enduring feel, and when combined with Old White or Slipper Satin it becomes both sophisticated and understated.”
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A light and contemporary taupe
“A warm Red Based Neutral named after our first Colour Consultant Joa, who still develops many Farrow & Ball colours. Joa’s White is a light and clean taupe with the merest hint of black pigment which makes it perfect to combine with the limestone, leather and linens often used in contemporary homes. ”
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A chalky mid tone
“This mid tone off white is one of the original Farrow & Ball colours — an uncomplicated name for a timeless classic. Off-White sits within our Traditional Neutrals so works perfectly with Old White, Slipper Satin and Lime White. Its underlying green gives it an unsurpassed softness, creating a chalky and traditional wall colour or a sophisticated woodwork tone. Off-White is also great for use on floors, bouncing light onto the walls while retaining a soft, warm feel.”
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A pared back taupe
“This classic dark taupe was inspired by the cottages found in the pretty Cotswold villages of Oxfordshire. It is the darkest of our Red Based Neutrals and sits contentedly with both Joa’s White and Dimity for a pared down neutral scheme. Brimming with warmth and an unmatchable depth, the subtle richness of Oxford Stone creates an earthy and uplifting finish from top to bottom, sweeping across woodwork and walls. ”
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A historic grey green
“This soft grey green simply earns its name by being the most historic of all our whites. One of our Traditional Neutrals, Old White can read as a subdued green, particularly in north facing rooms, but feels more of a classic grey in well lit spaces. It’s the most sophisticated of colours and feels just as at home in the drawing room of a historic house as it does in the kitchen of a modern family home.”
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An earthy neutral
“Stirabout is inspired by the nurturing porridge favoured over many centuries in Ireland. An earthy tone with just a hint of underlying grey, it’s perfect for creating a relaxed feel, which will never be too cold. Try pairing it with Jitney and natural fabrics for a laidback look.”
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Just off white
“This just off white is named after the market town of Wimborne in Dorset and home to Farrow & Ball. Only a shade away from a pure white, the addition of the smallest amount of warm yellow pigment creates a very versatile shade which is just a little softer than All White. ”
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An off white with a slight green hue
“This off white was first created for the pretty garden room of a discerning Dr James with a fresh underlying green tone. The slightest hint of green creates a calm, soothing and airy feel which is particularly useful for darker interiors. When used with no contrasts, James White transforms the space into the most light and tranquil of rooms, so it is often favoured in the bedrooms of the super stressed. It will look greener when used in contrast with All White and in north facing rooms. ”
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A relaxed brown based neutral
“This earthy colour sits somewhere between the more traditional Oxford Stone and greyer Elephant's Breath. Though muted, it is incredibly uplifting and reminds us of lazy days by the sea — hence sharing its name with the bus that whisks New Yorkers out of the hot city to the similarly coloured sandy beaches of the Hamptons.”
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A pale creamy white
“Our prettiest white is named after the old, pre-brightened, starched cotton used for white tie jackets. One of our Yellow Based Neutrals, White Tie brings a gentle warmth to any room and is deepened with a touch of black pigment. Combine with Matchstick, String and New White for a delicate scheme with reassuringly creamy undertones. ”
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A warm and timeless brown
“A warm mid brown, London Stone was created by John Sutcliffe for a classic Nash house in Regent’s Park. With its underlying magenta tones, this unassuming stone colour is the perfect accent for each of our Red Based Neutrals. It feels effortlessly modern when contrasted with Dimity, either on walls or woodwork, and utterly timeless when paired with the stronger Oxford Stone. ”
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A fresh cream
“This creamy tone is only deemed as ‘new’ because it feels much fresher than more traditional whites such as Lime White. It will warm up any room with its soft illumination, working particularly well in a country kitchen setting alongside our other Yellow Based Neutrals. New White can look milkier in colour if contrasted with White Tie or cleaner when paired with India Yellow. ”
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An aged salmon pink
“A subtle shade whose name refers to the matt finish of an aged pink painted at Kedleston Hall in 1805, Dead Salmon has a magical quality to it as everyone sees it differently. Be it a strong mushroom steeped in history, or a warming buff neutral, this deep salmon pink creates the most subtle and serene of environments suitable as a backdrop in candlelit dining rooms.”
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The shade of unbleached wood
“This versatile and understated tone is named after the unbleached wood used in the stalk of a match. With the tiny addition of black, this neutral timber colour creates delightfully understated rooms which are warm without feeling creamy. In well lit rooms it has a fresher quality, especially when contrasted with White Tie or other Yellow Based Neutrals, while feeling more relaxed and traditional in a darker north facing room. ”
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A classic stone
“This strong neutral is one of our most popular wallpaper background colours, so we couldn’t resist adding it to our collection of richly pigmented paints. A classic stone colour, Stony Ground has a slight underlying red which adds warmth and creates a soft beige finish. It pairs incredibly well with the lighter Shaded White or stronger Mouse’s Back for a quietly cohesive scheme.”
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An earthy yellow based neutral
“This Yellow Based Neutral is reminiscent of the untreated twine used by gardeners and parcel senders worldwide. String’s underlying green adds a pale and earthy feel which works particularly well in rooms connected to the outside, such as conservatories and boot rooms. For a relaxed and effortless scheme, contrast with the very slightly lighter Matchstick. ”
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A stony grey green
“A stony neutral, this traditional grey green was originally used as a colour name in the 9th century — an ancient name for a timeless colour. The subtle green base of our Light Gray brings an unsurpassed depth of colour when used on walls. It is the perfect accent for all our Traditional Neutrals, used on furniture and joinery in many Off-White rooms alongside Old White. It can also be combined with Stiffkey Blue to create a very relaxed, almost mismatched feel.”
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A strong earthy neutral
“This earthy yellow based neutral is so called because it is a stronger version of String, both in colour and use! Cord has a traditional ‘below stairs’ feel and works as the perfect kitchen unit colour with String or Matchstick on the walls. The warmly aged hue has a surprising strength of colour in underlit rooms, so is often used in studies and libraries.”
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A quiet grey brown
“This grey brown classic takes its characterful name from the fawny colour of the British field mouse. Much like its namesake, the green based Mouse’s Back is quiet in nature and feels soft in rooms both large and small. It will read greener when used on the walls of underlit rooms and is the perfect accent on furniture or floors when combined with more traditional shades such as Setting Plaster and Lime White.”
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A muted green grey
“This very light green grey is named after the Cromarty Firth estuary, a place of swirling mists mentioned daily in the Shipping Forecast. A neutral yet atmospheric colour, Cromarty brings a muted softness to any room, creating an easy to use finish that is neither too green nor too grey. A shade lighter than Mizzle, it works beautifully when grouped with Blue Gray or Pigeon.”
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A soft and stony grey
“A soft grey with a touch of green, this stony neutral is simply named after the colour of bones found in the animal kingdom. Softer than Old White, Bone creates a timeless look suited to halls when combined with Lime White on woodwork. It can also be used to create a feeling of light and space when paired with lighter tones; or as a sympathetic neutral with our stronger, more traditional colours.”
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A soft grey green
“This modest grey green is named after West Country evening skies when there is a mix of both mist and drizzle. The addition of green pigment diminishes any cool blue tones, creating a lighter shade of Pigeon and Blue Gray. Rooms feel soft and contented when painted in this rather indeterminate colour. ”
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A traditional grey
“This traditional grey was originally created to touch up the old limewash at Hardwick Hall and doesn’t look very white to most, unless contrasted with strong shades like Off-Black. Less blue than Lamp Room Gray and with an unsurpassed depth of colour, Hardwick White’s rich and chalky hue sits just as well in a contemporary room as it does in a historic house.”
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A cool blue grey
“With its subtle mix of blue, green and black pigments, Blue Gray creates the most relaxed of rooms that feel as if they have always been there. It is a cooler, more weathered version of French Gray and has the same almost magical quality of gently shifting between blue and grey depending on the light and time of day.”
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Our traditional mid grey
“Our most traditional blue grey was originally created when a white room had been stained by the trimming of lamp wicks. Lamp Room Gray creates a softer more lived in finish than Pavilion Gray, while retaining a sense of timelessness. It is surprisingly strong when used in smaller rooms but softens in larger, well lit spaces. ”
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A strong blue grey
“This cosy and nostalgic blue grey is named after the colour of the bird often sighted around the London landscape. Softer and bluer than more contemporary grey shades like Mole's Breath, Pigeon is particularly suited for use in boot rooms, cloakrooms or darker spaces like studies and panelled rooms. It is also incredibly popular on kitchen islands with the more delicate Dimpse on units.”
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A cool architectural grey
“Named after the houses traditionally inhabited by the local lord, Manor House Gray is a definite grey which retains its colour in all lights, especially when contrasted with Wevet. Cooler and cleaner in feel than Charleston Gray, this Architectural Neutral is very popular in hard-edged contemporary homes that are conducive to minimal living and is often used alongside the more dramatic Railings. ”
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A calm, soft green
“A gentle green named after the circular currents enjoyed by wild water swimmers as a natural jacuzzi. This evocative colour creates a seamless connection with nature, perfect for use in a garden room or alongside natural materials. A breath of fresh air, Eddy is also an ideal choice for calm, relaxing spaces. It is delicate in tone without crossing into pastel and sits at the lightest end of the French Gray and Treron family.”
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A lighter lead
“This strong architectural grey is named after the lead often used by fishermen to weight their lines. Plummett intensifies in colour in smaller spaces and has a strikingly modern feel which is conducive to minimal living. Used as much on woodwork to define dramatic spaces as it is on walls, Plummett is one of our most hard-edged and industrial feeling greys. ”
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A soothing green grey
“French Gray is really much more green than grey, but characterfully flits between the two depending on the light and time of day. Taking inspiration from French decoration and wallpapers used in the 19th century, it creates the most relaxed of rooms. This soothing hue is perfect for exterior woodwork and a particular favourite for front doors in our matt Exterior Eggshell, or garden furniture where it sits seamlessly amongst the greenery.”
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A rich grey
“This rich mid grey conjures memories of city suits made from flat woven fabric, so was named after the Norfolk village where the yarn was originally woven. For devotees of our Easy Neutrals, Worsted is stronger in tone than its counterpart Purbeck Stone, but lighter than Mole’s Breath. It has an understated richness with no cold tones, making it the perfect background to make clean accent colours pop. ”
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A dark grey green
“This enduring colour is a dark green version of Farrow & Ball classic Pigeon, hence being named after the green variety of the same species. Although traditional in feel, Treron is perfect for modern homes where lots of natural materials are used or as an accent for both French Gray and our Traditional Neutrals.”
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A moody grey
“A timeless grey whose name takes its roots from the much loved Elephant's Breath, this moody hue is inspired by a smaller, furrier animal. Mole's Breath is the most versatile of our stronger accents as it can be used both with Easy Neutrals like Purbeck Stone and Contemporary Neutrals like Strong White. It is particularly effective to ground kitchen islands and when used on the walls of smaller spaces to create a fabulously sullen yet warm room. ”
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White with the slightest lilac hint
“This elegant white is not named after a shark, but simply refers to how wonderful the colour is! Great White appears to be a very pale lilac when contrasted with our All White, making it perfect for children’s bedrooms when wanting to keep a fairly neutral scheme. Despite its red undertone, it is not the warmest of pinks. The inclusion of the merest amount of black lifts it to a wonderfully sophisticated shade with an extraordinary depth of colour. ”
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The lightest, most delicate pink
“The lightest and most delicate of our pinks, this charming colour is that of the tacking thread used in Haute Couture ateliers. It may be delicate but it’s strong in character and has enough colour contrast with white. Perfect paired with vintage finds or industrial accents, this shade works well in both traditional and modern schemes.”
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A romantic grey pink
“This grey pink has a romantic feel inspired by the chiffon gowns in which ladies traditionally brushed their hair. Created by giving the softest of pinks a big dose of grey, Peignoir has a unique depth which brings walls to life. It works perfectly in homes both old and new with any of our Contemporary Neutrals, or with Brassica and Pelt.”
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A delicate pink
“Our prettiest and most delicate pink was named after the discerning colourist, Catherine Middleton. This light pastel tone is fresh and uncomplicated, especially when contrasted with All White for a gently playful feel. Try pairing our Middleton Pink with Great White for a slightly cleaner urban finish. ”
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A tranquil lilac
“Calluna takes its name from the beautiful heather so prolific across the moors of Scotland. A touch of black ensures that it appears more lilac than pink, making this colour feel both soft and tranquil yet strangely sophisticated. It can be contrasted with sympathetic Great White or used with darker Brassica and Pelt to great effect. ”
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Delicate pink with a touch of grey
“Calamine is indeed named after the lotion we all used as children to soothe nettle stings and rashes! A light touch of grey prevents this subtle pink from being too sugary, giving a much fresher finish. In smaller rooms it becomes intense, but in larger well lit rooms it feels much more delicate.”
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A dark and sophisticated lavender
“Brassica’s rich lavender tones feel both feminine and charming in light areas, but become much more sophisticated and grey in darker areas due to an underlying hint of black. Named after the group of plants which includes purple sprouting broccoli, this warm shade lifts cold feeling rooms without being overtly red. It is often combined with Elephant's Breath and Skimming Stone for a rich, contemporary feel. ”
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A wildly romantic rose pink
“Cinder Rose has barely any of the yellow pigment found in most pinks, making it feel bluer and more romantic. Taking its name from the prettiest of traditional roses, it is the perfect colour for creating a dusky feel in a bedroom, but is also much favoured in garden rooms when paired with complementary Skimming Stone. To enhance its softness, try using Great White on your woodwork. ”
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A deliciously deep purple
“This deep and luxurious purple has a regal feel and derives its name from untreated animal hides. Much bluer in feel than the similarly strong Brinjal, Pelt can appear almost black in darker spaces and is particularly sensational in Full Gloss. Pair with Brassica to create a dark and moody scheme or soften with the feminine shades of Middleton Pink and Great White. ”
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A romantic and muted rose
“Not to be seen as overtly pink, but rather a muted rose with enormous warmth, its powdery feel makes it incredibly soft and easy to use with complementary tones. Sulking Room Pink is evocative of the colours so often used in boudoirs, a room named after the French "bouder" — to sulk.”
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A chic red based black
“This Georgian inspired red based black creates an intimate feel in super contemporary or bohemian homes, while adding a distinguished look to traditional exteriors. The perfect accent for all our reds and completing our range of blacks, Paean Black conjures up the shade of old leather hymnals and so is named after a song of praise.”
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A deep, warm grey
“A warm and muted grey, Charleston Gray is named after the much loved home of the equally artistic and intellectual Bloomsbury Group in East Sussex. Very popular for use in modern living rooms, its brown undertones create a warm, enveloping and hushed atmosphere. It is the perfect accent colour for all the warm Contemporary Neutrals or can be used on woodwork with rich Brinjal.”
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A strong dark brown
“Our darkest drab is named after the artisans who tan the hides and skins used to create leather. Tanner's Brown will read as almost black in lower lighting and is extremely useful to create a slightly softer look when used on the interior of fireplaces. It does, however, become browner in colour within well lit homes and exteriors due to its warm red undertones. ”
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Our warmest brown
“A warm and charming brown, London Clay is loaded with magenta pigment for a rich, earthy hue that creates the most charismatic and elegant of rooms. So named because it is a deeper accent to London Stone, consider using this dark brown in a hall or transitional area to make the rooms coming off it feel much lighter and brighter. London Clay is also the perfect accent for both Elephant's Breath and Charleston Gray.”
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A dusty blush pink
“This dusty pink started out as a delicate wallpaper background which was often requested as a paint colour. Pink Ground, with its large dose of yellow pigment, now creates the softest blush of colour for a warm and soothing finish that doesn’t feel sugary. Rather than contrasting with a bright white, try pairing with the warmer shade of Great White on the woodwork for a unique look in your home.”
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A warm terracotta red
“This light terracotta hue takes its name from the very soil beneath our feet. Red Earth is a rich blend of red and yellow pigments which create a warm earthy feel in homes both old and new. Often best used in smaller spaces, this warm colour responds extraordinarily to the changes of light throughout the day, becoming deeper and cosier as the sun drops.”
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A dusty plaster pink
“This dusty pink is named after the blushing walls we often admire in newly plastered houses. It is definitely a pink in historic terms, but has a certain softness to it due to the inclusion of yellow pigment. Our timeless Setting Plaster creates a wonderful backdrop to antique furniture, and also works incredibly well when paired with Mahogany in a more contemporary home. ”
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A rich brown based red
“This timeless red is based on the rich colour of the magnificent gallery at Attingham Park. A generous helping of brown pigment deepens Picture Gallery Red, bringing a unique warmth and character. As its name suggests, this ruddy hue creates a striking backdrop for works of art, be they hand drawn in crayon or expertly painted in oil.”
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A warm, welcoming pink
“A historic-feeling pink, this shade was developed for the dining room at Templeton House to offset the magnificent Wedgwood plaques made to commemorate the former owner, although it suits a contemporary setting just as well. A more intense version of Setting Plaster or Pink Ground, it creates a warm, welcoming space, particularly in low light where this shade becomes surprisingly deep.”
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A spirited, flame red
“Our most spirited red, the name of this fiery hue was originally used to describe the deceit of pirates. Full of buccaneering spirit, Bamboozle brings joy and warmth to any room scheme and is easy to use in both traditional and modern homes. It will hold its own in any light and pairs brilliantly with other strong colours, like Beverly and Wine Dark.”
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Our truest pink
“This true pink is named after the scrumptious rosy cheeks of a much loved little girl called Nancy. The uplifting shade of Nancy’s Blushes certainly grabs your attention when paired with a bright white, but can create quietly charming interiors when contrasted with a soft neutral in shady rooms. Something altogether more graphic happens when counterbalanced with St Giles Blue. ”
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A deep and playful orange
“Charlotte's Locks takes its inspiration from the flame red hair of our Head of Creative and brings a playful late 1970s look. This deep and dramatic orange is particularly spectacular when used in small areas with a sharp contrast either in All White or Black Blue — for the very brave, do try in Full Gloss!”
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An exotic and adventurous pink
“This colour is exotic, happy and vital. The most adventurous of our pinks, Rangwali is incredibly friendly and takes its name from the powder which is thrown so enthusiastically during the Holi festival of colours in India. Though bright, it has an absorbing depth of colour which is achieved by adding a small dose of black pigment.”
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A rich burgundy
“The deep blackened pigmentation of our Eating Room Red gives a rich burgundy finish with a wonderfully aged feel. This, our most elegant red, takes its name from the colouring of the red damasks so popular in dining rooms in the mid-19th century and reads almost like a saturated purple if you compare it to the more modern looking Incarnadine. ”
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A rich red
“This rich clean red is named after the charming village houses built over the years for the clergy. Rectory Red is a blackened and aged version of Blazer and feels much more sophisticated, especially when contrasted with Red Based Neutrals such as Joa’s White. It is a warming colour which will intensify when used in a small space to create the most welcoming of rooms.”
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A deep, rich red
“The deepest and richest of our reds, this Baroque colour is named in honor of our original trade name, Preference Paints. It can be used with any of the Red Based Neutrals but is particularly striking when seen in combination with Paean Black and Sulking Room Pink. The preferred red of modern homes!”
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A classic crimson
“Our richest crimson originally takes its name from Latin, but is now a much used term for crimsons and reds. Similar to the deep glossy red used by David Hicks at Barons Court in the 1970s, Incarnadine is unashamedly classic and glamorous. It can be used to sumptuous effect in halls when offset with Tanner’s Brown on woodwork, or feel more edgy and graphic when paired with a bright white.”
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A sophisticated aubergine
“Brinjal takes its name from the beautifully deep and shiny skin of the aubergine, so it is particularly magnificent in Full Gloss. It can create a warm and highly sophisticated finish when used on all walls, but is more often used as a feature wall to enhance a neutral Skimming Stone scheme or as an accent on the underside of a bath or kitchen island. ”
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An inky navy
“This inky blue is named after the Norfolk beach where the mud, along with the cockles, share a particular deep navy hue. Although traditional in feel, Stiffkey Blue is often used as an alternative to Down Pipe to create a richly dramatic space with a more contemporary finish. When used in well lit areas of the home it will appear much bluer, working wonderfully when contrasted with Ammonite. ”
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A pale and illuminating blue
“Evoking the colour of summer skies, Borrowed Light is a wonderfully pale blue named after the delicate light that cascades through small windows and fanlights. It works as well in a room deprived of light as it does in an airy sunroom. This soft and classic tone is perfectly suited to children’s bedrooms, especially when contrasted with Stiffkey Blue on furniture or woodwork.”
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A deep dark blue
“This strong blue takes its name from the fantastically coloured woodwork much used by the Dutch, and still works wonderfully to ground skirtings or as an accent colour on the walls when teamed with Borrowed Light. The green undertones of this timeless, deep and dramatic blue means it sits as happily outside as it does in small dark rooms.”
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A pale and traditional blue
“This pale blue grey takes its name from the soft natural light that often pours through ceiling skylights. However, it is less reflective than Borrowed Light, reading as a definite cool blue when used in small spaces but becoming paler and greyer when used in larger areas.”
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A dramatic lead grey
“Down Pipe, a dark lead grey, has definite blue undertones to it which deepen the complexity of the finish. Originally inspired by the colour used to paint downpipes and guttering, it has been embraced for use inside the home with fanatical zeal! This daringly dark hue is fabulous as a background to art, and extremely effective for use in halls to create a deeply dramatic entrance to the home.”
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A light silvery blue
“This silvery blue was so named because it was the lightest blue Farrow & Ball made in its first collection of colours. Light Blue becomes a little more silver in tone when used in shaded areas so is very popular for use on the walls of internal halls, especially when the remainder of the house is painted in cooler, more neutral greys. When used in well lit areas it feels both peaceful and calming, especially when paired with a cool white like Blackened.”
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A classic charcoal
“Sitting between the ever-popular Railings and Down Pipe, this classic charcoal colour is inspired by the attractively designed iron containers used to catch rainwater at the top of a downpipe. Ideal for creating inviting spaces, Hopper Head works beautifully with nearly any Farrow & Ball shade or can be used exclusively across walls, woodwork and the ceiling for a dramatic space.”
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A darkened historic blue
“Oval Room Blue is the most blackened of our blues, giving it a subtly aged feel. Named after the attractively shaped rooms of the late 18th century, it sits perfectly with our popular greys to create depth and balance in either a hall or a darker, cosier family room.”
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A soft black with blue undertones
“More blue than black, Railings is a softer alternative to black which is particularly suited to the ironwork it takes its name from. When used in Full Gloss on front doors it creates a handsome and commanding entrance, but becomes much more relaxed in feel in our Estate Eggshell finish. The bluer undertones of this dark hue transform rooms into dramatic and enveloping interior spaces.”
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A laid-back blue
“A lighter, less grey version of popular De Nimes, Selvedge is named after the highly prized denim woven on a shuttle loom to produce closed edges. It’s particularly good in low-light spaces, creating a familiar and friendly atmosphere, making it suited to bedrooms or rooms you spend time in, in the evening. It pairs beautifully with accents of darker colours like Inchyra Blue or Hopper Head.”
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A soft black
“This soft black is one of the original Farrow & Ball colours — an uncomplicated name for a well loved classic. Off-Black is much more flattering to adjacent colours than stronger blacks because it feels so much milder in tone and has less of the underlying cool blue of Railings or Black Blue.”
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A down to earth and grounding blue
“This quietly elegant blue feels wonderfully down to earth, so could be used on anything from a kitchen island to an airy drawing room. The exact shade is rooted in a regency palette but is inspired by the cloth of everyday workwear made in the French city Nîmes. Like denim, its blue hue is ultimately fashionable and yet always feels grounded.”
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A true black
“Pitch Black is as pure a black as you can get and is strong and uncomplicated in all lights. Named after the dark sticky residue of coal tar often used in roofing, this true black has an unsurpassable depth and almost velvet quality. As with All White at the other end of our colour palette, it is easy to understand and indispensable for ironwork, woodwork or even walls if you are feeling daring! ”
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A dark blue grey
“This aged blue grey is inspired by the naturally dramatic Scottish skies that act as a backdrop for the classic Georgian Inchyra House. It can be found on the exterior doors of their very impressive byre or barn which nestles at the bottom of a rather grey and imposing brae (also known as a hill). Such is the magic of our colours, this moody hue can read more grey, blue or even green depending on the light. A great alternative to charcoal, use it to inject a hint of colour into a super contemporary home or create a dark and intimate feel by combining it with Black Blue or Vardo. ”
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The slightest hint of blue
“A subtle white with the slightest hint of blue, Cabbage White takes its name from the most delicate of butterflies. This palest of blues is perfect for rooms that go up into the eaves where you want to use just one colour on both walls and ceiling. This colour really comes into its own when contrasted with All White. ”
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A clean mid blue
“First used as a wallpaper ground colour in our damask collection, Blue Ground creates an upbeat and happy atmosphere which is often used in playrooms as an accent colour alongside Wevet or James White. This clean mid blue tone is both optimistic and friendly, but never cold.”
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A gentle aqua
“Our most popular shade of aqua is a lighter version of an archived Farrow & Ball colour, Powder Blue. Pale Powder has an unparalleled softness and in north facing rooms can read almost as a delicate grey, but it is rarely cold due to the addition of green pigment. It is a great favourite for use in pretty attic bedrooms where it can be brushed onto both ceiling and walls to create an airy feeling of light and space.”
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A cool mid blue
“Reading as a cool blue, Parma Gray is another colour attributed to the great colourist John Fowler. Used as the backdrop to numerous costume dramas, it creates the perfect period feel when contrasted with Wimborne White. Though its cool nature can feel quite formal when contrasted with a bright white, it is a firm favourite for those who prefer a clean and crisp finish.”
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A fresh aqua tone
“This mid aqua is named after a much valued, early member of our creative team — and yes, the pun is intended! Teresa's Green owes its freshness to a rich blue base and its warmth to soft green undertones. In the middle of our range of aquas, Teresa’s Green has a calming and therapeutic effect, but still feels cheerful when combined with delicate shades like White Tie.”
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A fresh mid blue
“This fresh mid blue’s name comes from the shade of the sea at beautiful Lulworth Cove, Dorset. Typical of a formal Regency hue, Lulworth Blue sits happily alongside similarly clean Wimborne White and Parma Gray. Despite its brightness, it can promote deep and peaceful sleep when used in low lit rooms, especially when used on both walls and woodwork. ”
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Quite simply green blue
“This chameleon colour needs no other name, it is exactly what it says – sometimes blue and sometimes green depending on the changing light throughout the day. Green Blue is a great favourite for family bathrooms, as the soft green adds warmth while the light blue brings a certain freshness. Try pairing with Pale Powder walls as a lighter accent.”
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A clean, cool blue
“This clean cool blue is inspired by the wings of seabirds when seen in bright sunlight. Sitting between Parma Gray and Lulworth Blue, Kittiwake has a touch more black pigment creating a warmer, more relaxed feel. This shade is perfect for living spaces, staying truly blue in all lights. It also complements stainless steel especially well, so is ideal for contemporary kitchens. A sophisticated blue, it looks fantastic with Wine Dark and Borrowed Light.”
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A relaxed green blue
“This vintage blue takes its name from one of the first Farrow & Ball stockists based in East Anglia. Like many of our blues, Dix Blue has a large dose of green included in it, making it both warm and easy to live with. A touch of black pigment brings a slightly aged and relaxed vintage feel, making it perfect for use on upcycled furniture, panelling and woodwork, as well as living room walls. ”
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A vibrant blue
“Cook’s Blue was inspired by the rich and poignant finish in the cook’s closet at Calke Abbey where the walls had been untouched for many decades. This bright and deeply pigmented colour is perfect for use both in kitchens and exterior eating areas, as this vibrant tone is said to deter flies! But it is perfectly at home anywhere in the house. ”
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A lively mint green
“Arsenic has a lively, stimulating feel despite its name being derived from the poison that was rumoured to have been in the wallpaper that poisoned Napoleon after his capture. Its vivid mint colour makes it feel just as at home on contemporary kitchen cabinets, especially when paired with Down Pipe, as it does on the walls of a 19th century dining room. ”
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A rich, dark blue
“Inspired by midnight skies, this spiritual colour is named after the term Homer used to describe the sea. Our richest blue, it’s the perfect addition to our strong blue family, being more sophisticated than Stiffkey Blue and more upbeat than Hague Blue. In low-light, Wine Dark becomes even richer, making it particularly glamorous in candlelight and perfect for creating intimate spaces.”
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A rich teal
“This rich teal takes its name from highly decorated traditional horse drawn Romany wagons. Often used in the intricate patterning of these beautifully painted homes, Vardo is so full of life and joy it seemed natural to name it after something renowned for its flamboyant colour. This bright colour works particularly well with reds or dark greys. ”
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A lively blue
“This warm and timeless blue is named after the indigo pigment which was often imported in lumps in the 18th century. Stone Blue’s lively and saturated colour can be used alongside warmer tones such as Pelt to create an inviting vintage look, or the cooler Mole's Breath for a cleaner, more contemporary feel. When contrasted with Dimpse woodwork, however, it feels both distinguished and familiar. ”
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A lively green
“For an upbeat space, try this lively green. A lighter version of Breakfast Room Green, Whirlybird is inspired by the papery winged seeds beloved by many playful young gardeners and nature lovers. It looks particularly lively in morning light and is complemented by Beverly and James White.”
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A pale and fresh green
“This refreshing green is a lightened version of Cooking Apple Green, created as a background colour to some of our prettiest botanical wallpapers. The paleness of Green Ground has a calming feel, so is well suited to use in kitchens to create a contented family atmosphere. Often paired with a bright white to enhance its colour, it can also be used on panelling with our darker Green Smoke to create a reassuringly historic look that seems as if it’s always belonged.”
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A cheerful green
“Breakfast Room Green is the most cheerful of all our greens, remaining lively in both bright sunlight or softer candlelight. Named after the usually east facing rooms designed for eating the first meal of the day, it is particularly beautiful in the dawn light. When used alone on both walls and woodwork it becomes incredibly striking. ”
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A fresh iconic green
“Cooking Apple Green is a Farrow & Ball classic which always feels charmingly familiar and, like all greens, creates the feeling of health and vigour. It has a rich, old fashioned look in darker situations, but often feels much fresher and brighter in well lit rooms and when contrasted with a bright white.”
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A bright avocado green
“This fresh avocado green was discovered in an 18th century Georgian farmhouse in Yeabridge, Somerset, when the original gun cupboard was removed. Although untouched for many years, it was still astonishingly bright and reminiscent of the lush grass that surrounds the house. This uncomplicated, clean green sits happily in both contemporary settings and period homes. It has a little more yellow than Breakfast Room Green but a little less than Churlish Green. Pair with Hague Blue to create a truly uplifting interior. ”
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An established silvery green
“This muted green is a tribute to Richard Ball, the paint pioneer who first founded our company in Dorset, England with John Farrow. It is an old distemper colour with a more sober, established feel than fresh Cooking Apple Green. It has a magical quality of appearing almost silver in candlelight, so is great for use in dining rooms. ”
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A traditional sage green
“This rich and traditional green is a cleaned version of a colour originally found in the breakfast room at Calke Abbey. It is best used either on its own on both walls and woodwork, or with a darker neutral like Old White to enhance its deep sage notes.”
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A delicate aged green
“This fresh and incredibly soft green is reminiscent of the pigment green earth. With its blue undertone it creates the softest of atmospheres, being less intense and cooler than Cooking Apple Green but fresher and less grey than Ball Green. ”
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A clean, forest green
“This clean mid green is named in honour of a kind and generous member of our Farrow & Ball team who is sadly no longer with us. A dependable, uncomplicated colour, with the ability to feel even greener in bright daylight or more conservative in lower light. This shade is a beautiful addition to any home.”
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A mid aged green
“This calm and muted green is named after the ever changing, subtle colour of creeping algae which ages stone so beautifully. It has a quiet and subtle feel to it, due to its underlying blue tone, and is perfect for use in the garden where it feels totally at one with nature. It works wonderfully as a darker accent to Vert de Terre too.”
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A protective olive green
“This mid-century modern green is a darker version of the much loved archive colour, Olive. Perfect for those who want to embrace stronger colour in the home, its sober tone creates rooms that feel calm and serene — especially when combined with soft pinks and browns. Named after Japanese tea leaves, Bancha, like a cup of green tea, provides a feeling of security.”
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A dark grey green
“This dark grey green is named after the study-like rooms much favoured in the Victorian period and is unapologetic in its strength. It really comes alive when contrasted with a warm neutral like Off-White or set against the darker Studio Green, but feels more contemporary when used with no contrasts at all. ”
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A deep, dark green
“Our darkest green is also the colour painted on the original studio at Farrow & Ball, where many of our very first colours were created. When brushed onto exterior surfaces, the rich pigments respond extraordinarily to all types of light and magically appear much greener than on our colour card. Within the home, this deep hue appears almost black unless in very well lit rooms.”
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A dark and smoky green
“A smoky green blue, this colour was popular in interiors during the late 19th century. It has an irresistibly inviting deepness and weathered familiarity when used in exterior situations, while evoking calm and serenity when used inside.”
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A light cream
“This illuminating neutral takes its name from the natural material originally used to make candles. Tallow’s pale cream finish reflects the light brilliantly so it is perfect if you want to lift a darker space or paint one colour throughout a property. The slightest hint of pink and yellow pigment creates a warm but fresh feel which is often very popular in nurseries.”
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A refreshing pale yellow
“A typical Regency colour, this charmingly simple pale yellow takes its name from the rooms which were filled with light and enjoyed during the day. Perhaps the most refreshing in feel of all Farrow & Ball colours, Dayroom Yellow is perfect for use in rooms of a sunny disposition, flooding the space with light and colour particularly when contrasted with All White. ”
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A traditional cream
“Our original cream is named after the paint pioneer who first founded the company with Richard Ball in Dorset, England. Farrow’s Cream is a pretty, traditional colour, with no addition of black pigment, which creates delightfully inviting rooms with a gentle warmth. It feels just as at home on the panelling of a 17th century hall as it does on the wooden cupboards of a relaxed family kitchen. ”
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A warm lemon yellow
“Citron, as the name suggests, is a warm Mediterranean yellow which has a bright intensity in small spaces and is fantastically welcoming in halls. It is softer in well lit rooms but is perhaps a little too stimulating for the bedroom. Try contrasting with House White on ceilings and woodwork. ”
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A rich double cream
“Dorset Cream’s name conjures up exactly the right colour in our minds; a rich double cream made in the heart of the West Country. A darker and more yellow version of Farrow's Cream, it should never be used with a bright white but with a sympathetic Yellow Based Neutral like New White, to create a gentle warmth and charmingly traditional scheme. ”
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A timeless mid yellow
“One of our most useable yellows, this sunny shade was first used as a background colour within our ever evolving wallpaper collection. Yellow Ground sits between the fresher pigments of Citron and the richer mustard tone of Sudbury Yellow. It creates a happy and stimulating space in any light without being overpowering in colour. ”
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A dusty yellow
“A modest yellow named after the dried crop, Hay is both warm and dusty. Less intense and sunny than the cleaner Yellow Ground, it has a distinctly green undertone which gives it an established feel, creating peaceful spaces especially when contrasted with muted Lime White woodwork. ”
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A cheerful yellow
“Babouche takes its name from the distinctive colour of the leather slippers worn by men in Morocco. It has a cheerful brightness that will intensify when used in large areas, but it is always dignified and never garish. Babouche can be paired with Railings for a very modern but sumptuous effect. ”
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A traditional mid yellow
“This soft mid yellow takes its name from the staircase at Sudbury Hall, where renowned colourist John Fowler used this shade to such great effect. Sudbury Yellow is particularly responsive to changes in light, reading as cleaner and brighter in well lit rooms or softening in dimly lit spaces alongside a stronger contrast like New White.”
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A strong and moody yellow
“This deep mustard yellow is famously named after the pigment collected from the urine of cows fed on a special diet of mango leaves! It creates a really cosy and surprisingly un-yellow space when contrasted with a dark tone like Tanner's Brown. It should, however, be used in moderation in small rooms where its moody intensity may be a little overwhelming.”